Bringing The Yarn Bomb To The Country
International Yarn Bombing Day will occur for the first time this Saturday, June 11th. The event was the brainchild of Joann Matvichuk, a “domestic goddess” who lives and works in Lethbridge, Alberta. Her motivation is to encourage knitters and crocheters to perform crafted graffiti on the same day, around the world as a collective group.
For those not familiar with the concept of yarn bombing, it’s a form of graffiti and cultural activism that involves repurposing aspects of the urban landscape by covering them with knitted and crocheted adornments. The movement was started in 2005 by Texas artist Magda Sayeg. At the time, Sayeg was the owner of a yarn shop in Houston and was overcome with “a selfish desire to add color to my world.” In reaction to the urban landscape and the lack of warmth she found there, she knitted a cozy to cover the metal door handle of her shop. She then knitted a sheath for the stop sign across the street. Passersby stopped and noticed. They took pictures. She was encouraged by the reaction and began covering items across the city.
Sayeg and a group of fellow knitters have since yarn bombed items across the world including parking meters in Brooklyn, a bus in Mexico, and a twenty-six foot statue of a soldier in Bali, neutering its violence, according to a 2010 article in The Guardian. In that same article, Sayeg says, “In this world of technology, over-development, fewer trees and more concrete, it is empowering to be able to beautify your environment.” This is a powerful statement in action. Sayeg, now in Austin, has spawned an international movement with yarn bombing groups popping up not only across America but also in Japan, Britain, Scandinavia, South Africa, and Australia.
Generally done in cover of darkness, some of the participants wear masks and relish the role of artistic vagrants. Like all unsanctioned street art, yarn bombing is illegal, and Sayeg’s original group of knitters in Houston crafted a terminology for their work based on the world of hip-hop, creating names for themselves such as Notorious N.I.T. and P-Knitty. The group as a whole was called Knitta Please or just Knitta. Further information on the history of the movement, Magda, and International Yarn Bombing can be found here.
I’m not really good at knitting, but I love to do it. I’ve crocheted for as long as I remember. My great-grandmother taught me when I was 4 or 5 to do a chain and basic single stitch. I remember getting a crocheted potholder every Christmas from Nanny with a five dollar bill folded up inside. While they were truly horrible potholders (acrylic yarn easily melts), I still have an entire collection along with the many scarves and pillows she made for me over the years. I keep them because they are touchstones of my time with her and all that she shared with me. They represent personal remembrances, a set of skills, and bright objects that are both functional and decorative.
I am also enamored with the idea of knitting or crocheting to affect cultural change. Yarn bombing definitely falls into the category of “craftivism,” a concept developed by Betsy Greer, whose website is a resource for many in the DIY and feminist craft movements. I love that those participating in yarn bombing, at least on one level, are taking action to reclaim their urban landscape, one that they see as cold and distant, by beautifying and changing it with a craft seen mostly as domestic, predominately functional, and in many circles–I would imagine especially in an urban context–irrelevant to modern society. Participants are reclaiming public spaces as home. Still, I have been contemplating what form such a movement would take in rural America and what the motivations and implications might be.
Corrine MacKrell: “I grew up rural. If I were going to yarn bomb at home, I would personalize it like a gift. A camo scarf on or around the garden gnome of a hunting family, flowers in her favorite color for the lady down the road, etc.”
Shane Raymond: In the country we have to be more discrete and organic with our tags. Since I know most of the people and their personalities I can tailor my tags better as well. Overall I would say it’s much more personal. Example, a colorful spider webs in the trees in deep state land. The only people that will see them are middle-aged hunters.
